![]() I just remembered that there is Warp grid with SWSĬombined, these little things can slow you down.(if I remember correctly) it's easier to wrap project tempo in Cubase when scoring to picture.Not separating between audio and MIDI track type limits routing options as Reaper is trying to prevent feedback loop (Reaper sees feedback loops where there are none).No switching between musical/true-time for tracks.Not possible to color notes depending on current scale/chord.PROPER TOGGLEBETWEEN WINDOWS - Cockos Incorporated Forums.Window management (not possible to alt-tab) between open sub-windows.Screensets save too much info about windows (for example: specific midi event opened in MIDI editor)) Only one docker toggle (no way to toggle just bottom, left, right zones).Regions/markers lane in Reaper can get crowded). No multiple Marker/Region "tracks" (there's Heda's Regions Tracks script, but it's still not as good as in Cubase.Can be fixed by a theme & startup script, but this startup script causes that the first project appears modified, even if no edits were made.Collapsed folders don’t hide tracks completely by default.No hierarchy in track manager (for quick collapsing of folder tracks).There are so many combinations of options on how this works in Reaper, that I can't be sure that it wasn't my configuration that was suboptimal at the time.Switching between which MIDI clips are visible the in MIDI Editor and auto zooming to MIDI notes is clumsier in Reaper (I would have to open and test both DAWs to pinpoint what exactly is different).I have no problem pointing out Cubase's flaws and I prefer Reaper to Cubase for many non-MIDI tasks.Ĭlick to expand.Some issues I have with Reaper: We need to be able to point out weak points of each DAW in order to help people make informed decisions and in hope that developers will hear us and improve their DAWs. That is however highly dependent on my workflow, so it may not apply to other people's workflows. But overall, I find that missing MIDI features (that are important to me) outweigh Reaper's unique MIDI features and that I'm more productive in Cubase when composing. It's certainly capable enough to create wonderful compositions (many do it all the time) and it also has some unique MIDI features, not avaliable elsewhere. I'm not saying that Reaper's MIDI capabilities are useless. In fact, according to Reaper's scripting API docs, it is impossible to implement fixes for some issues with scripts, so it's not just a matter of how much time you are willing to spend to customize Reaper (and after certain amount of time it becomes questionable, if it's time well spent). And I still can't the workflow and features to same level I get in Cubase (almost) out of the box. I have also written a few custom scripts, again spending from few hours to several days per script. ![]() ![]() Would this solve the issue for you or are there other requirements to meet your workflow?Ĭlick to expand.Why the need to be so dismissive of other people's experiences? In total I have spent probably more than a few weeks just tweaking Reaper's MIDI workflow. From what I can see it should work great with subprojects, as the start indicator will be moved back so there is no need to adjust anything in the master project. In my little test project this worked just fine. Use that action to set the timecode at bar 1 to your starting timecode. If you would like bar 1 to start at a specific timecode, go to reapack and install "Set timecode at edit cursor". Go to project preferences and hit the button "set 0:00 at edit cursor". Everything in the project should move back that way.ĥ. Drag the region to the start of the project. Create a region starting at the new marker with a length of the amount of measures you want to add.ģ. At the end of the project create a time signature marker with equal tempo and time signature to the start of the project.Ģ. From what I can see this might be a workable solution:ġ. You are right, there isn't a way to do this through the menues.
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